Hot Pink Author Adam Levin is a Kindle Adam Levin s debut novel The Instructions was published in late His stories have appeared in Tin House McSweeney s and Es
Hot Pink Author Adam Levin is a Kindle Adam Levin s debut novel, The Instructions was published in late 2010 His stories have appeared in Tin House, McSweeney s, and Esquire Winner of the 2003 Tin House Summer Literary Seminars Fiction Contest and the 2004 Joyce Carol Oates Fiction Prize, Levin holds an MA in Clinical Social Work from the University of Chicago and an MFA in Creative Writing from Syracuse University His collection of short stories, Hot Pink, will be published by McSweeney s in 2011 He lives in Chicago, where he teaches writing at Columbia College and The School of the Art Institute.Authorial Influences and Inspirations Adam Novy, George Saunders, Leslie Lockett, Stanley Elkin, Christian TeBordo, Rebecca Curtis, Jerzy Kosinski, David Foster Wallace, Salvador Plascencia, Don DeLillo, Philip Roth, JD Salinger, and Katherine Dunn. Adam Levin s debut novel The Instructions was one of the most buzzed about books of 2010, a sprawling universe of death defying sentences, manic wit, exciting provocations and simple human warmth Rolling Stone.Now, in the stories of Hot Pink, Levin delivers ten smaller worlds, shaken snow globes of overweight romantics, legless prodigies, quixotic dollmakers, ChicagolaAdam Levin s debut novel The Instructions was one of the most buzzed about books of 2010, a sprawling universe of death defying sentences, manic wit, exciting provocations and simple human warmth Rolling Stone.Now, in the stories of Hot Pink, Levin delivers ten smaller worlds, shaken snow globes of overweight romantics, legless prodigies, quixotic dollmakers, Chicagoland thugs, dirty old men, protective fathers, balloon laden dumptrucks, and walls that ooze gels Told with lust and affection, karate and tenderness, slapstickery, ferocity, and heart, Hot Pink is the work of a major talent in his sharpest form Hot Pink comes in three resplendent colors pink, gray and blue.. The best Ebook Hot Pink rating:i didn't hem and haw over my star rating the way mfso did. this is an easy four stars. i loved reading it, but - nature of the beast - not every story was perfection. i lost no sleep over my rating.review:do you want the good news or the bad news? the good news is, adam levin does not need 2000 pages to make his points.the bad news is, in some of these stories, i feel like he was unconsciously punishing himself, foot-binding himself into smaller containers so that he didn't spill over into instructions scope. dear adam, didn't you mean to write about 400 additional pages to jane tell?? i feel like it must have just slipped your mind and maybe you can just pick up where you left off thanks.again, mfso's review does a great job breaking the stories down into their salient points, while greg's does a great job stressing out over goodreads in general. distribute your votes accordingly, please.but i have a few things of my own to say.1) if mfso doesn't think frankenwittgenstein is totally a dfw story, he is either being disingenuous or deluded. because it totally is. and there is absolutely nothing wrong with that: anxiety of influence, schmanxiety of schminfluence. it is a good story in its own right, but there is no denying the tone, the perspective, the concerns, the turn are all delightfully reminiscent. 2) unreliable narrators. you think you know unreliable narrators because you've read some patrick mcgrath? you ain't seen nothing yet. what's great about the unreliable narrator in short story form is when the reader's penny drops. some of them are outed on the first or second page. some not until the closing lines. some are never outed, and it gives you that prickly, unfinished feeling, like you think "maybe that one was an U.R., too, but i just didn't get enough time to spend with them..." because in general, in life, everyone is unreliable in the end.3) the thing that makes me think that maybe he was training himself to "write smaller" is the sheer unpredictability of these stories. they are like crazyballs - the trajectory seems to frequently boiiiiing to the unexpected. this is a complimentary observation, by the way. it is jarring because the stories are just these little short stories, and a turn like some of the ones here would feel more natural in a longer work, but here, compressed as they are, when you think they are headed in one direction and then suddenly - gotcha! now we are talking about this and the characters are doing this - keep up, fatso! it is pretty cool, i think.definitely worth reading, definitely not giving greg his copy back, and definitely want to see these other colors when they come in. a gray book called hot pink seems unfair.but what would sarah montambo think?
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